If you’re writing pop fiction that includes fantasy or sci-fi or dystopia or historical variations of same, this a is a useful list.
I write in many different worlds with widely varying levels of technology and forms of government. I’m an avid reader, and always have been. Some of the worst books I have read were bad because the setting made no sense or was unclear. This has been as true of stories set in modern New York City as well as fantasies set in wholly imagined worlds.
The author is responsible for making the setting clear and real in the mind of the reader. To do that, the author must pay attention to building that world, even if that world is a well-known city. I can’t write about Seattle if I have no idea what it is like to live there. I can’t stress this enough: do the research.
Because I had noticed these shortcomings in some less than stellar traditionally published works, I made a list of questions to consider…
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