A Live Kidney and A Dead Cat

The kidney.

Surgeons At Work

Surgeons AT Work

Good news. My sister, Sandra Driscoll, received a transplanted kidney four days ago at the University of Washington Medical Center from a cadaveric donor.  Bad news. A young man died before his time due to high risk behavior. She is now freed from the shackles of dialysis. She has his healthy kidney. She can resume a semblance of a normal life. He can’t, except in so far as he is kept alive in the bodies and imaginations of the lucky organ recipients.

The cat.

In my mid-twenties, I had a security guard job on the swing shift at Seattle’s Pike Place Market. After shops closed and vendors went home, I carried a ten-pound clock encased in black leather from key-station to station, punching keys into the clock to show on a printed chart that I had visited that location and at precisely what time. This was known as doing the rounds.  Rounds included walking into and out of abandoned buildings. One night I came across a dead cat. The cat had been hung. It was in fact still hanging by the neck from a wire attached to a rafter.  Whoever had committed this act of animal cruelty had positioned the cat so that its corpse would be visible through the nearest window.

Who would do such a thing? So fascinated was I, on subsequent rounds, I showed up with a sketch pad and drew the cat from various angles. Having no key to the vacant room in which the cat had been hung, I had no means of removing the cat or giving it a proper burial. Over time I watched the cat’s flesh dissolve until it was hardly more than matted dusty fur and sinew and bone.

jaguarundiBecause writers practice extending empathy to characters that don’t actually exist, except on paper, we devote a lot of time to wondering why.

I did not have an answer for that cat, until I had a character.  Anezka, for reasons I cannot disclose, was forced to leave behind a barn cat she had come to see as her child. Below is a description of Chico, the protagonist in Better You Go Home, finding Anezka’s cat:

 

 

That odor of putrefying flesh is strong.

Caressed by the breeze, Anezka’s gray cat twists with excruciating slowness.

Its head is canted at an acute angle, its mouth wrenched open, though not

wide, not as though in protest but rather as though struggling to draw a last breath. A wire hung from the rafter loops under its chin. There’s something

odd about the body’s posture. Rigor mortis would have had time to set in,

then relax, and the body would have bloated, but none of this could have

happened recently. This flesh is partly decayed. Were it not for the cold, the

smell would be worse. Its legs are curled in toward the abdomen, suggesting

either that it was tied up or that the cat died while curled in that position…

Height works to my advantage. I unloop the wire. The over-fed cat has

shed much of its bulk but it still weighs several pounds. Breathing through my

mouth, I lay the big gamey stiff cat on the crib blanket. There I see without a

doubt what I only suspected when it was hanging. Allowing for the inflexibility

of stiff limbs, the cat’s posture suggests an animal that had curled up and died,

which, if true, could only mean that someone found the deceased cat and

subjected it to a post-mortem noose. But why? As a cautionary tale of some

sort?

 

In fiction, “why” is dependent on pre-established motivations that causally connect events.

My nemesis character committed this act of cruelty as a sign of love. In her mind, it made perfect sense. Only the cat was preventing Anezka from moving on to a better life. For the love of Anezka, the cat had to go. In the character’s view, death would do the abandoned cat a favor. The added cruelty, well, I had a pretty good model to work with.

An act of cruelty can be an act of salvation. It would be tragically foolish to say that the cat allowed itself to be killed so that its “mother” might live. Likewise, it would be tragically insensitive to suggest that the young man (who had a mother, a father, maybe siblings, certainly those who loved him) gave his life so that my sister might have his kidney and live. Yet… and yet…

The cat was cruelly killed.  That cat has a million lives in my imagination.  Both are true statements. The young man cruelly died.  His organs live in the bodies and imaginations of our loved ones. Both are true statements. In fiction, we posit causal connections in order to consider the question “why.” In real life, sometimes what is just is. Until we allow our imaginations to form the question “why,” though, we remain prisoners of the brute facts.

Advertisements

One thought on “A Live Kidney and A Dead Cat

  1. You, as the security guard, returning to this death scene over an d over, and then drawing it, sounds like a movie – talk about character development.
    So happy to hear about your sister. What a happy holiday that news must bring to your family. Be well, M

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s